Tag Archives: catholic

Troll Bridge

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Illustration By John Bauer (Public Domain)

I am the troll of icy fells,
My hole beneath the bells.
What bells disturb my nest?
You ask and seem to jest.
Yet I trow I know your quest,
So I will tell of hellish test
I failed and fell to frozen rest.

I tried to cross that bridge,
A ridge wrapped in mist.
No easy path, I tripped and roared
In wrath and plunged to
Fires cold, not soared
To spires above the blue,
Shores of heaven hue.
But alas, would this tale were true.

The final wall that we
Would scale at last,
I climbed but was too fast
And slipped and missed my grasp,
Slid down to under pass.
A river pouring fast
Lashed and beached me
On this bank at last,
To scrape rank hole,
And roll and roll amid my
Pile of gold, pale and cold.

And now I smell the putrid air
Of self-regard that taints my lair.
Shallow pride I would ascribe
To callow member of your tribe.
Trust much in vestus virum facit?
There is no treasure in your pocket.

Do you think your ore so rare,
A priceless earth without compare?
Mere slag and dross I see,
Not free of flaw, no loss if lost
Among these crags and hoar.

So go from this stronghold
And take your precious quest
Away from here. No bells
Will tell me what to fear.
As if a brass hourglass
Were creeping near, to ware
Me of some ending year,
When shadows no more linger
And even ice despairs

And would that cold could crack
Those bells. No chimes will
Drive me from these fells,
Or twist my will by spells.
Nor would dread foe come near,
For I hold this hoard so dear,
And yet these words I hear …
I whisper, lean here.

See, I would not pay the toll,
This gold we clutch so bold.
Merits of old we hold as if
To seize a feast we long
To eat, us least who chose
To fast from love, not soar
By trust above, light as sands
That slide from empty hands.

One must let go to pay the toll,
And see fool’s gold slip below,
Down to darken cold so vast,
No concern for first or last.
An old troll swallows whole
The truth that wealth won’t ask:
Two open palms grip the grasp.

Those reaching hands you seek
Wait there the poor and meek.
So go. Leave tarnished gold,
Dull and cold, in this bowl
For sinner low and weak.

No fear? Stand there, before that door,
A bloody badge the bridge of gold
To kingdom last, where bells adore
That master of the silver shore
Who calls to severed souls: Amor

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A Poem for Robert Hubert

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The Great Fire of London (artist unknown)

 

No one carved you an epitaph,

For a grave you will never have,

Just a pale pillar raised to the sky,

Until 1830 a bone trophy for a lie.

 

Fair Eden’s breeze did not reach Rouen, 

Where the Maid of Orleans met her end,

For you were a Huguenot, and dare not

Honor her or dream of you her Lancelot.

 

For the watchmaker had a watch for a son.

Slow ticking and from nature’s bag of tricks

Two arms, a big one and a little one,

One moving, the other stuck at six.

 

Your uneven legs were no better,

Left straight and thick, the right a stick.

A watchmaker, a clockmaker?  Never

would Robert be more than ever sick.

 

Nor could you play or run with the other boys

In the lanes. Your mind imbued in a grace

That lay in the sublime ticking of papa’s toys

And the plain charm of your mother’s face.

 

And she died when you were young,

The shield against the city’s scorn and din

of insults that you bore your parent’s sin.

She the patient one that loved so strong.

 

What do we do with a simpleton?

The family mused on their child like son.

Our lame boy is easy prey for a city’s hate,

Do we pay and pray he meets a better fate?

 

Thus sent away to his future dungeon

The target, the joke, and the Huguenot.

Robert Hubert, the unlikely Argonaut,

Seeking a fleece in the City of London.

 

It was said that there you were laborer,

More likely you were just a neighbor.

Our Robert, slow of mind with body tremor,

You never worked, but always labored.

 

They were not seven, your daily needs,

But what a struggle, these mighty deeds,

To dress, eat and pray with only one arm,

To hide ears and tears from worldly harm.

 

In 1666, you changed your fortune,

seeking treasure, you sailed for Sweden.

What you hoped to gain we do not know,

No fleece or gold in this land of snow.

 

A good soul took pity there on your woe,

And paid your passage to Rouen your home.

You called her “Skipper”, the Maid of Sweden,

A name too long for you long to know.

 

A happy reunion was not to be,

For your passage was blocked by war,

You encountered there upon the sea,

A dreaded English Man-Of-War.

 

The Maid was forced to London,

to stay at port a while. For trade

with hostile France and Holland

was by royal order stayed.

 

And standing there on wooden deck

You saw flames begin and spread.

The fire soared and sky turned red,

A glowing oven for the dead.

 

It was the strangest thing you had seen,

This curling, crackling pyre.

But did no one share that children

Should stay far away from fire?

 

Your body fluttered toward the flame,

To those who sought someone to blame,

The mob took you there upon the wharf,

A Frenchman, a fool, a limping dwarf.

 

Good Captain Petersen later swore,

That then and there he washed his hands.

Your keeper no more with you ashore,

The Maid of Sweden left for France.

 

Into the darkness you were cast,

With no friends but fleas and rats.

In filth and slime a month you stayed,

And to our blessed Lord you prayed.

 

The only miracle that did occur,

Your confession to an act of war,

“I, Robert”, set the flames you swore.

(Please do not hit me any more)

 

From France you came with ill intent,

One of twenty three confederates,

No, on further thought it was a trio,

And you of course the lead commando.

 

For but a single coin of gold,

You would set the town aflame,

A plot of cunning by one so bold,

So true to those with no shame.

 

I must admit that most did doubt

the tale of this sad and lonely youth,

But what prevailed were those who spout,

That old line, “What is truth?”

 

Though the great flame had died,

A cloud of hate had spread,

It was best that some had lied,

For a king might lose his head.

 

It was October twenty seven,

Climb the cart, does your stomach churn?

Who knows? (Today you will be in Heaven).

So off you roll to Tyburn.

 

The mob blew you stony kisses,

Some flew true, some were misses.

The red ran down onto the rope,

Coiled round one without a hope.

 

They saluted you with jeers and cheers,

That stung your ears and fed your fears.

For the final ride you were all alone,

You knew at last you would not see home.

 

The wagon reached the triple tree,

At Tyburn where the gallows rise.

The seats are filled though none were free,

All pay when a doomed man dies.

 

And from the hills the shades looked down,

With them the Maid and Thomas More,

Martyrs, scapegoats and many more,

Who drain this drink for strange renown.

 

They stand you up and set the noose,

You have no words to spare them,

The whip is cracked and horse is loose,

It flees the sin and mayhem.

 

You are too light to break your twig,

So you swing your legs about,

The children prance and do a jig,

The adults sneer and shout.

 

When at last your dance is done,

Your face is black and still,

It is a race we all must run,

May our end be not so ill.

 

Jack Ketch laid you out upon the ground,

And stripped your body bare,

Your noose and clothes worth half a pound,

To those who know no prayer.

 

The surgeons came to take you then,

But the final sale was broken.

The mob surged forward in revenge,

To claim a meager token.

 

Hands and knives went to work,

And tore your form asunder.

Your heard came free with a jerk,

Your heart was someone’s plunder.

 

This reddened patch of ugly ground,

With bloody bits spread all around,

Was Robert Hubert’s only grave,

Made by those whom sin make brave.

 

And far away a dream is broken

By knocking hands, a father woken,

Hears the words that drowns his joy:

“The English hanged your boy.”

 


Robert Hubert (those are silent “t”s in French) was a French Protestant who was made the scapegoat for the Great Fire of London in 1666.  Little is known of him, or why spent much of his adult life in England and Sweden.  He most likely was not a watchmaker, despite what Wikipedia might say, though his family included many.

Late 17th century France was a place of rising tension between French Protestants and Catholics.  Many French Protestants emigrated to England, Scandinavia and North America.  My theory is that Robert was sent away by his wealthy family to live among those communities.  A number of French Protestant witnesses participated in his trial, and tried to save him, suggesting he was known to them. One of the many ironies of this scandal was that, though a Protestant, he was accused of being a Catholic spy and received his final absolution at his hanging by a Catholic priest, the Queen’s own confessor.

Based on the recorded descriptions of his appearance and behavior, it seems he was born with cerebral palsy, and had severe motor (hemiplegia) and cognitive deficits. All those in power knew he was innocent, but post-fire, wartime London was boiling cauldron of violence and unrest. Somebody needed to be held accountable for what scholars generally believe was just a tragic accident.

What happened to Hubert was a textbook illustration of the scapegoat concept that French philosopher Rene Girard explored  in his study of mythology, religion and literature.  During a time of an intense cultural or political crisis, some individual becomes the focus of hate and anxiety of the crowd. After his death, the cloud of anxiety dissipates, and society returns to a measure of equilibrium (until the next crisis and scapegoat).  Girard, a believer, wrote that Christ was the ultimate scapegoat since he was completely without blame, and his death was in part intended to point the way for breaking this cycle, which Girard implied was a system of control by the Prince of this World.

Hubert’s family was quite good at watchmaking, and you can find images on the internet of what are either his father or uncle’s watches still present in various museum collections.

I am in a bit of a rut, so say a prayer for me if you have the time.  There may not be any posts for a while.

 

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For a Child Receiving Their First Communion This Weekend

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Louis Janmot, Première Communion (public domain)

 

Now the time for First Communion,

Join in Eucharistic union.

Bow down low before you greet him,

Then say Amen when you eat him.

On the tongue or on the throne,

In your heart he makes his home.

When you kneel down in your pew,

Thank the one who died for you.

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The Memoirs of Louis Bouyer

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Father Louis Bouyer

This is a review of The Memoirs of Louis Bouyer: From Youth to Conversion to Vatican II, the Liturgical Reform, and After.  Father Bouyer was a French Lutheran minister who converted to Catholicism in 1939, and then became respected priest and scholar who served as an advisor to the Second Vatican Council. He prepared these memoirs during his retirement in the 1990s, and died in 2004.   They were not published until 2014.

I have read the ebook version. The work is meticulously endnoted, with hypertext links that allow one to jump back and forth from notes and text with ease.

This book will be most enjoyed by those already familiar with his body of work, who are familiar with the history of Vatican II, and have an interest in the history and reform of Catholic liturgy. I do not fall into any of those categories, but I will share my thoughts for those who may be interested in reading it.

About half of Father Bouyer’s non-fiction bibliography is available in English, though you might have to buy used copies.  He also wrote four novels under pseudonyms. Those books have never been translated into English, and may even be out of print. He developed friendships with a number of other writers, including J.R.R. Tolkien.

Father Bouyer reminds me of another Catholic priest, writer and scholar:  Father Andrew Greeley. Both were scholars who wrote novels, though Greeley much more so. Bouyer’s career was more consumed by teaching duties than Greeley’s was.  Both men seemed to have a lot of energy, were inquisitive, and had a certain cheerfulness (at least in their writing), and had a tendency to speak their minds and thus get into scrapes with their peers in the Church.

The most charming part of the book is the first few chapters, regarding his family, youth and early crushes.  He had a great eye for detail and characterization. and I would have liked to read one of his novels. His mother died when he was 11.

The weakest part (though not bad) of the book is the middle part, covering his career during the 1940s and 1950s. Its a whirlwind of all the characters he knew and met, and the various places he worked and studied. Friends and historians will probably find this more useful.

The last part involves his role at Vatican II, and for a period of time in implementing it. Its good basis for a belief that the fewer the big conferences there are in Rome, probably the better.  He also covers some friendships and favorite places.

Two friends he singled out are a testimony to his generosity of spirit. One was Julian Green, an American, Catholic convert. He was a diarist, novelist and translator who lived most of his life in France. He also struggled with a homosexual orientation, and Bouyer seems to have been a good friend and confidante.  The other was an English writer, Elizabeth Boudge. Though she was not a Catholic, they struck up a deep and persistent correspondence that lasted many years.

Now, the themes:

The Mediocrity of the Church’s Institutions and its Leaders

It is suggested in the introduction that the long delay between the writing of the memoirs and their publication was deliberate, to perhaps protect Father Bouyer in his retirement, and to spare many of the targets of his criticism while they were still alive or holding high positions.

It is difficult, as with Greeley’s memoirs, to read about priests criticizing others under Holy Orders. However, Paul rebuked Peter once, so as long as it is done in Charity, it must be done when there is error or failure.  The Church, in its institutions and members, comes across in these memoirs as a sprawling university system. We meet “tenured” priests (e.g. isn’t Holy Orders the ultimate tenure?) who loaf and don’t do much work, administrators who have been promoted beyond their competence, or aging leaders who should have been retired and can’t keep up anymore. There is envy for other’s accomplishments, an unwillingness to consider new ideas, hiring decisions based on personal favoritism over merit, etc.

Bouyer sometimes names names, sometimes he doesn’t. He is not nasty about it, he offers his assessment, and moves on. I am reminded of an anecdote from Father Benedict Groeschel, where he relates a conversation he had with Mother Teresa. She asked him why God chose him to be a priest, and he replied with a joke. She answered “You were called by the humility of God.” He chooses very frail instruments to work with, so we should not be surprised when they fail.  Fortunately, we have great servants like Groeschel, Greeley or Bouyer to make up for the masses of mediocre Catholics (myself included among them).

Pre-Vatican II Church Dynamics

These memoirs confirm what I have read elsewhere about the pre-Vatican II dynamic.  The controversy and confusion that followed Vatican II didn’t just fall from the sky. It had been building for a few decades among silently warring camps.

On the one hand, we had the confident, established Church. It was orthodox and resistant to any change, perhaps more out of fear of modernity than willful close-mindedness.  And on the other hand, there was a large camp that fully subscribed to the modernist project, and wanted to conform the Church to the world.

In the middle it seems, were perhaps the smallest, least powerful group. Some reformers who wanted moderate change to the liturgy, Church organization, teaching methods, etc. This includes men like the future Pope Benedict, Bouyer, Henri De Lubac, and Hans Urs Von Balthasar.   They thought they had some good ideas for how the Church could respond to the problems of modernity

These reformers were criticized as dangerous radicals before Vatican II, and then criticized as out-of-touch conservatives in the decades after Vatican II. In fact, they never changed their position on anything.

What happened is that there was a rupture, and the modernist camp largely won, and imposed a lot of change very quickly. One of the stranger things I learned reading this was that during the Vatican II conferences there was a strong consensus at one point to abolish Ash Wednesday. It would have been moved to the first Sunday of Lent.  It narrowly survived. And it is one of the few times a lot of Catholics see the inside of a Church other than on weekends.  Many will skip Holy Days of obligation, but will go to Ash Wednesday services. This is an example of the kind of mentality that was at work at Vatican II.

One of the villains in this drama was Annibale Bugnini (may he rest in peace). He was a Catholic priest and important administrator given a position of great authority at Vatican II, and a staunch modernist.  When he ran into obstacles, he would pull out his trump card, “The Pope Wills It!” Bouyer and others later found out he was making it all up, the Pope did not will it. He was later punished by being named the Vatican’s delegate to Iran, where he finished his career.

Bridges between Catholics and Protestants

Though a convert, Bouyer retained his strong belief that Protestants had often outdone Catholics in both their study of scripture and their emphasis on a personal relationship with the Lord. I tend to agree, though I think the Church has made great strides in recent decades, particularly with emphasis on new devotional practices (e.g. the Divine Mercy), and Pope Benedict XVI’s great example in his series on the Gospels.  Bouyer felt these two areas should be ones the Church should focus on in its pursuit, perhaps vain, of reconciliation with our Anglican and Lutheran brethren (which were the focus of his ecumenism).

Based on my reading of his memoirs, I do have an interest in trying at least one of his books.  I am more focused on poetry now, so it may be a while before I read one. I will post a review if I do.

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An Ode for the Rhapsode

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The Muse, Gabriel De Cool

Here bloomed a rare poet
I groomed for no deceit.
I would play him like a cello,
And sway him to sing
Of the rage of Achilles,
While there calmly sitting
With unfair, wily Socrates,
Ensnared under an olive tree
Already lost in some debate.

You thought to put him to the test,
This child my mind had blessed.
He waited patient on your con
And played along without protest.
Your method led to trouble later on,
But you were gentle with my friend, Ion.

Yes, I am the guilty one.
He was a pretty Grecian urn
Into which I’d pour my wine.
Then I would let poor Ion burn
And turn his song to Helen.
Her pure form alone was fair
As the towers of topless Ilium.

For a poet is a winged being
That flies in proper season.
The spirit starts them singing,
In rhythm to my breathing,
And any hidden, lyric purpose,
You may not parse or reason.

And when you shake and start
Then reach for pen or lyre
It is done by my desire.
There is no shame in that.
For I undress your heart
And set your soul afire.

So be a son like wise Ion,
Who as a guileless child
Enjoys full pardon
Heaven and this smile.
Now he sings of glory,
Not of kings or rage,
With his friend Socrates,
On the eternal stage.

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Holy of Holies (II)

 

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From “The Dance of Death” by Hans Holbein

 

Father, is this the hour of desolation?

The one you know and of which I warn.

In my holy place an abomination,

Will my Church be still-born?

Is this the day the world swore:

“Blessed be the barren women,

the womb that never bore,

And their breasts never nursing.”

I see two boys in the meadow playing,

A shadow falls and one is taken.

I see two girls in my temple spinning,

One is gone and the sanctum shaken.

The iron nails pierce my bride,

Her veil is torn from top to bottom.

The rusted lance rends my side,

Has my Mother’s “Yes” been forgotten?

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The Ballad of Doubting Thomas

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Martyrdom of St. Thomas, by Peter Paul Rubens (public domain)

There is a man of famous doubt,
And Thomas was his name.
You think you know the truth about,
This rascal and his shame.

You mockers joke about his sin,
So I will tell you true.
He was the Master’s living twin,
And far more brave than you.

Mother Mary was a wise one,
The flower of our race.
But even she would greet her Son,
When Thomas showed his face.

Our Lord was fond of nicknames,
As Adam’s son should be.
And so he called him “Didymus,”
That’s Greek to you and me.

The twin was not one to pander,
And always spoke his heart.
When others thought to flatter,
The doubter took no part.

By deeds not words, he might have said,
This man, the Nazarene.
And when he learned his friend had died,
He left for Bethany.

“You must not go!” the others cried,
Your foes will seek your end.
But doubting Thomas then replied,
“Let’s go and die with him.”

But when one day they struck the King,
As foretold they scattered.
Reluctantly, I have to sing,
All of them were shattered.

The Prince of Peace was put to death,
His heart pierced by a spear.
And when he spoke his final breath,
The twin was nowhere near.

Shame can drive a man to rages,
An anger for an end.
We want to be courageous,
For weakness we must mend.

And so the doubter walked about,
And with his life made free.
And to the Romans gave a shout,
“Please nail me to a tree.”

So then the Lord came back to them,
The spirit was his breath.
While on the streets of Jerusalem,
Thomas sought after death.

And when at last he heard the news,
His pride would not give in.
His shame then fought to probe the wounds,
That truly lay within.

The Lord heard every word he said,
That reckless Didymus,
And then appeared with wounds still red,
Spoke, “Put me to the test.”

A weaker man just might have died,
When hearing such a sound.
But “My lord and my God” he cried,
And knelt upon the ground.

The Lord so quick forgave his twin,
All brothers he did bless.
And while Jesus soon ascended,
The saints began their quest.

For he left a great commandment,
To each and every one.
All of Adam’s descendants,
Must learn about God’s son.

Doubting Thomas took his mission,
Into Assyria.
And seeking for his own passion,
Took sail for India.

He preached the Word in that far land,
And many knew the Lord.
He prayed that all might understand,
No thought for his reward.

Thomas walked his Master’s path,
Until the kingdom come.
He soon did suffer the world’s wrath,
A bloody martyrdom.

I now end and seek your promise,
To give the man his due.
That you never slander Thomas,
This doubter died for you.

Note: This poem was inspired by Fabrice Hadjadj’s interesting interpretation of Thomas the Apostle in his book Resurrection: Experience Life in the Risen Christ, which I reviewed here.

Most of my poems are in free verse, and sound better to my ear, but I read a persuasive article that an aspiring poet should practice with formal modes to build their skills. So this is in the form of a ballad, which uses the traditional 8-6-8-6 syllables on each line of the quatrains. It  feels clunky, and is pretty much my first draft. I don’t have much appetite for polishing and revising yet, but maybe I will come back to it at a later date.

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Holy of Holies

 

Visitación_de_Rafael

The Visitation, by Raphael. 1517.

Every womb is holy.

I have made it so.

I am born anew with every soul.

My Father’s temple stood in Jerusalem long ago.

His presence dwelled in the inner room,

Shielded by the temple veil.

The temple fell, but lives again in the womb

Of every woman, a Holy Grail.

So be modest, and guard this font of birth,

This chamber of my sons and daughters,

My Church here on Earth.

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What Follows Politics: De Lubac Responds to Charles Péguy

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(This is more a note to myself, connecting some dots as I work my way through Péguy.)

One of Charles Péguy’s famous quotes is: “Everything begins in mysticism and ends in politics.”

This was something he learned from the Dreyfus Affair, a political controversy that tore France apart for about a decade.  While Péguy was on the right side of the conflict, he felt that the winners wasted their victory through an unjust and unworthy political power grab.

He made this observation years later in his book, Notre Jeunesse (translated as “Memories of Youth”).  Péguy reflected that great movements often spring from a mysterious, almost spiritual, yearning to set things right. However, because of original sin, whatever victories or progress we win harden into a rather ordinary political party, program or bureaucracy. Many idealistic young people who vote for a politician wind up being somewhat disappointed within a few years. The lesson is that it is beyond our ability to permanently “set things right”, and therefore we must be very fluid, very pliant to where the Holy Spirit wants to take us next. Don’t rest on any worldly laurels.

Cardinal Henri De Lubac responded to Péguy, I think, years later.  In the essay titled “A Christian Explanation for Our Times”, published in 1942 (and collected by Ignatius in  Theology in History), he described what follows the politics that had succeeded mysticism:

It is then that substitute faiths inevitably present themselves to fill this tragic void. Such is the fourth and final period of the process. Man is not satisfied by ideologies cut off from any source of real efficacy: the hour must come when he is disenchanted with them. He lives still less from criticism and negations. He does not live by laicism and neutrality. Inevitably something like a great call for air is produced in his inner void, which opens him to the invasion of new positive forces, whatever they might be. The latter conquer him all the more quickly, the more coarse and virulent they are. Cut off from a higher life, he gives in to the brutal pressures that, at least, give him the feeling of a life. Having abused criticism to make truth itself vanish, he now dislikes using it to protect his mirages.

A troubled credulity succeeds his faith. Rationalism has expelled mystery: myth takes its place. We know great examples of this.

(emphasis added)

Writing in 1942, De Lubac was referring to the mythology of Nazi Germany: its Aryan race doctrine, its occult pageantry, etc.  Mysticism had been expelled, but politics and reason were soon banished as well.

I find De Lubac’s observation to be an excellent lens through which to view subsequent history.  Reason and science were too dry for our taste buds, and we have embraced a host of myth “isms” as a substitute. They are not a religion in name, but are so in practice. Daedalus, Sisyphus and Tiresias stride the earth once more. And their progeny follow: a new Talos,  a new Chimera, etc.

And if you oppose them, you are an enemy of that myth.  You cannot beat these new mythologies purely with reason or politics. You must return to faith, and the tools of faith, to respond. The ancient world was laid to rest by Jesus, but the de-Christianization of the world has allowed it to return as a revenant.

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Games the Angels Play

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An Angel Playing a Flageolet, Edward Burne-Jones 

 

(The translation of Ève is coming along nicely. I’ve translated a little over 8% of the poem in the last few weeks. I think it is the longest poem ever written in French, at over 200 pages, so I will be happy to be done by the end of the year.)

This is in part a confessional blog, so let me confess that I am continually struck by the truth of what the novelist Georges Bernanos wrote: Sin makes us live on the surface of ourselves, and we will only come home to ourselves to die. And he awaits us there.

You are more likely to find your heart’s content, in part (this being the shadowland), the less sin and the more grace you have in your life. I have gone from spending a lot of time on sports, tv and politics (which were very unsatisfying anyway) to pretty much ignoring them. Classical music and poetry are my brand new passions, after ignoring them like some  homely wall flowers all my life. Translating French poems into English and trying to learn how to write my own poems is very satisfying, even if its purely a hobby.

I noticed an instructional book at B&N over the weekend, A Poet’s Guide to Poetry, by Mary Kinzie, that looks pretty good, which I may buy. If anyone has an opinion on it, please comment.

What follows is a simple, baby poem, but a good practice exercise nonetheless.  Rhymed couplets, eight syllables per line.  Initially I was trying for iambic tetrameter, but I do not have the discipline yet to work at poem long enough to create a consistent meter throughout. This was ripped off pretty quickly. I will probably never write anything but earnest religious poetry, and in this I try to sum up a lot of what I have read and learned the last few years.

 

GAMES THE ANGELS PLAY

 

There is a game the angels play,

They fold their wings and fall away.

 

Carried high on the winds of love,

They put their trust in God above.

 

There is no fear, there is no doubt,

Their bodies limp and blown about.

 

We hope to join them in the sky,

But first a child must learn to fly.

 

The lesson imparts hurt and shame,

You bear within the ancient blame.

 

But if you start to learn to cry,

You may grow wings before you die.

 

As you lay the weight on the ground,

Your soul begins to fly around.

 

And joins the dance up in the air,

And clasps the hands of the angels fair.

 

But first do find the partner true,

The one who gave his life for you.

 

He knows the dance and how to move,

There is no skill that you must prove.

 

No mighty faith nor works you need,

Just be content with him the lead.

 

And walk along the little way,

His heart will teach you how to pray.

 

And listen to the holy dove,

Who flies about the air above.

 

And when your time has reached its end,

Comes the hand of a silent friend.

 

This guardian you never heard,

Will take you to the living word.

 

You will learn your true name that day,

And join the games the angels play.

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